Radio Sarı Gəlin by Emil Aliyev https://radio-sarigelin.az/ az Radio Sarı Gəlin by Emil Aliyev "Sarı gəlin" mahnısının tarixi https://radio-sarigelin.az/index.php?newsid=28 https://radio-sarigelin.az/index.php?newsid=28 _Emil_ Thu, 18 Feb 2021 16:51:06 +0400
"Sarı gəlin" — Azərbaycan xalq mahnısı. Azərbaycan Respublikası, İran, İraq və Türkiyədə yaşayan türklər arasında yayılmış bir mahnıdır. İlk dəfə 1930-cu illərin əvvəllərində Asəf Zeynallı tərəfindən nota köçürülərək fortepiano üçün işlənmişdir. Mahnının musiqisi altında ifa olunan eyni adlı Azərbaycan xalq rəqsi də mövcüddur.
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"Sarı gəlin" — Azərbaycan xalq mahnısı. Azərbaycan Respublikası, İran, İraq və Türkiyədə yaşayan türklər arasında yayılmış bir mahnıdır. İlk dəfə 1930-cu illərin əvvəllərində Asəf Zeynallı tərəfindən nota köçürülərək fortepiano üçün işlənmişdir. Mahnının musiqisi altında ifa olunan eyni adlı Azərbaycan xalq rəqsi də mövcüddur.

Etimologiyası

Sarı Gəlin mahnısının etimologiyası haqqında müxtəlif versiyalar var.

Bir versiyaya görə "Sarı gəlin" mahnısının tarixi İslamdan əvvələ gedib çıxır. Amma bəzi musiqiçilər elə hesab edirlər ki, bu əsərin 150-200 illik tarixi var. İntonasiyasına görə, mahnı çox arxaikdir – 3-4 notun üzərində qurulub. VII əsrin əvvəllərində "sarı" sözü rəmzi mənada "böyük", "dağ" anlamında qəbul edilib. Qədim türk anlayışında isə "sarı" "kübar", "incə" deməkdir. Bizdə bu ifadə iki anlayışda – "rəng" və "ürəyimin sarı siminə toxunma" kimi istifadə edilir. İslamdan əvvəl Oğuz tayfalarının ortaq bir mədəniyyəti olub. Tarixi mənbələrdə göstərilir ki, oğuzlar daha çox bu intonasiyada musiqi mədəniyyətini inkişaf etdiriblər və mahnı zamanla formalaşaraq günümüzə gəlib çıxıb. O vaxt qıza elçiliyə gedəndə qız anasının yox, nənənin yanına gələrdilər. Görünür, ilk dəfədən sevgi oxu daşa dəyən cavanlardan biri "səni mənə verməzlər, ay nənən ölsün, sarı gəlin" deyə belə bir musiqi yaradıb.

Bir versiyaya görə ruslar XIX əsrin 20-30-cu illərində Osmanlı torpaqlarına girərək Ərzuruma qədər əraziləri zəbt ediblər. Rəvayətlərə görə, bu illərdə türk qoşununun başçılarından biri slavyan gözəlinə aşiq olub və "Sarı gəlin" adlı şeir yazıb. Sonra ona musiqi həyatı verilib.

Bir versiyaya görə "sarı" sözü rəng anlamında işlədilmir, bu ifadə insanın daxilindəki "sarı sim"ə eyham vurur. Adətən insanların həssas məqamında bu özünü göstərir. Yəni "sarı" sözü şeirdə rəmzi məna daşıyır. "Sarı gəlin" insanın içindəki məhəbbət, nəciblik və ən xoş keyfiyyətlərin məcmusu kimi başa düşülür. Tarixin bəzi məqamlarında "Sarı gəlin"in qadın gözəlliyinə ünvanlandığı da fərziyyə kimi irəli sürülüb.

Milli Konservatoriyanın elmi-tədqiqat laboratoriyasının rəhbəri Abbasqulu Nəcəfzadənin fikrincə isə, "Sarı gəlin"in söz və musiqisi XVI əsrin məşhur dövlət xadimi, sərkərdə və şairi Şah İsmayıl Xətaiyə məxsusdur. O deyir ki, Şah İsmayıl sarayda rəqqasə qızların oyununa baxarkən orada sarı rəngli libasda bir qız onun diqqətini özünə çəkib. O andaca Xətai belə bir əsər yazıb. Eyni zamanda, Şah İsmayıl azərbaycanlı xanımın saçının ucunu hörmədiyini yazmaqla rəqqasə qızı nəzərdə tutduğuna eyham vurub.

Musiqiçi İbrahim Qasımovun fərziyyəsində də bu məqam öz əksini tapır. Ud ifaçısı onu da əlavə etdi ki, bu fakt Əzizə Cəfərzadənin tarixi əsərində yığcam şəkildə öz əksini tapıb.

Lakin bir çox araşdırmaçı və alimim dəstəklədiyi versiya bir qədər fərqlidir.Araşdırmalar göstərir ki,nə türklərin nə də ermənilərin adqoyma mədəniyyətində, xüsusilə qadın və qızlar arasında bir başa rəng adı ilə ad verilməsinə təsadüf olunmur.Alimlər qeyd edirlər ki,Sarı sözü təhrif olunub.Belə ki, əslində mahnının adındakı "sarı" "Sara" adının təhrif variantıdır.

"Sarı gəlin" mahnısından sonra mətn-mənaca ona bağlı, onun davamiyyəti olan başqa bir mahnı – "Apardı sellər Saranı" meydana gəlmişdir. "Apardı sellər Saranı" mahnısından bir müddət sonra isə "Sarı gəlin" yallısı yaranır.

2005-ci ildə "Altın kitab" nəşriyyatı tərəfindən buraxılan "Xalq mahnıları" (tərtibçi redaktoru R.İsmayılov, məsləhətçi prof. M.Qasımlı) toplusunda "Sarı gəlin" mahnısı 3 bənd (hər bənd 4 misra olmaqla) və təkrarlanan nəqarətdən ibarətdir. Şifahi ədəbiyyatın bayatı formasında yazılan şeirdə bir dənə də olsun arxaik, bu günkü oxucu üçün anlaşılmaz söz yoxdur. Elə buna görə də tədqiqatçılar güman edir ki, şeir XIX əsrin II yarısında meydana gəlmişdir. Şeirin məzmunundan belə anlaşılır ki, onu qoşan (ola bilsin bu hadisəyə bələd olan şair, yaxud xalq üslubunda şeir deyə bilən hər hansısa bir nəfər) şəxs kasıb çobanmış və imkanlı ailənin çox gözəl bir qızını sevirmiş. Özü də bilə-bilə ki, bu sevdadan bir şey çıxmayacaq, məhəbbətindən də əl götürə bilmir. Ümidini kəsməyərək Allahdan nicat, aman, yardım istəyir. Zəmanənin gərdişi elə gətirir ki, vaxtilə üzünü tez-tez gördüyü istəklisini bir daha görə bilmir. Yarının ayrılığına dözməli olur. Özü-özünə təskinlik vermək üçün qoyun otara-otara təqdim olunan məzmundakı bayatını düzüb qoşaraq çoban tütəyi musiqisilə zümzümə edərmiş. Bir müddət ötəndən sonra qızı istəmədiyi bir başqasına ərə verirlər. Sara gəlin ərə getdiyi insandan özünə qarşı heç bir məhəbbət görmür. Günləri, mənəvi mənada məşəqqətlə keçir. İlk sevgisini heç cür unuda bilmir. Nəhayət, mənəvi sarsıntılara dözməyərək Arpa çayının aşıb-daşan vaxtında özünü ora atıb həlak edir. Arpa çayı da gözəl Saranı əldən vermək istəmir. Bir neçə günlük uzun axtarışdan sonra onu həlak olaraq tapırlar. Hadisədən azca sonra gözəl, nakam Saraya hansısa el şairi və musiqiçi tərəfindən ikinci bir mahnı – elegiya həsr edilir. Bu olaya uyğun olaraq həmin mahnı-elegiya "Apardı sellər Saranı" adlanır. Yuxarıda adı çəkilən topluda həmin mahnı-elegiya üç bənd (hər bənd üç sətirdən ibarət olmaqla) və nəqarətdən ibarətdir. Şeirin mətnindən də görünür ki, bu "Ala gözlü, qələm qaşlı" Sara məhz "Sarı gəlin"dəki həmin Saradır. Arpa çayında həlak olan Saranın meyidi Azərbaycanın Muğan bölgəsində aşkarlanır. Nəticədə "Muğan... nahaq qana... batır". Hadisəyə söz qoşan el şairi bu barədə hər yerə car çəkdirmək istəyir. Hətta hər il Muğan yaylaqlarına sürülərini gətirən tərəkəmə camaatının (heyvadarlıqla məşğul olan əhali) sərkarı Xançobana belə xəbər göndərilməsini istəyir ki, Muğanın növrağı pozulub deyə, bu il gəlməsin bu yerlərə. Nədən ki, "Sara kimi gəlin Arpa çayının sularında qərq olmuş, gözəl bir gəlin həyata vida demişdir".

Elegiya səciyyəli hər iki mahnının musiqi təfsiri elədir ki, onları tütək və balabanla ifa etdikdə daha təsirli alınır. Bu mənada həmin musiqilərin yaranışə dövründə onların müşayiətinin məhz tütək, daha sonra isə balabanla olması versiyası tam qəbul olunan və təbiidir. Balabanın Azərbaycan musiqi mədəniyyətində nə qədər böyük rola malik olmasının təsdiqi kimi orta əsrlər miniatür rəssamlıq sənətindən yüzlərlə nümunələr gətirmək mümkündür. Buna görə də bəzi musiqilərin ifası zamanı "balaban yoludur" – deyə irəli sürülən erməni cəfəngiyyatı tam iflasa məhkumdur. Necə ki, "Sarı gəlin"in ifasında ən uyğun təfsirin tütək və balaban olması elmi dəlillərlə təsdiq edilir. Başqa sözlə, həmin alətlərlə həmin söz və musiqi ifası vahid vəhdət təşkil edir.

XIX əsrin sonlarına doğru vaxtilə Naxçıvan və Muğan bölgələrində ifa olunan, lakin çox da geniş yayılmamış elə həmin mövzuda, ancaq bu dəfə rəqs musiqisi meydana gəlir. Mahiyyət etibarilə yuğ musiqi və rəqslərini xatırladan bu yallının adı "Sarı gəlin" imiş. Xalq adət-ənənələri üzrə ciddi mütəxəssislər yazırlar ki, yallı tipli bu kütləvi xalq oyununun adındakı "sarı" sözü məhz Sara xüsusi isminin təhrif olunmuş formasıdır. Başqa sözlə, "sarı" Saranın saxta, xalq deyim üslubuna uyğunlaşdırılmış variantıdır.

"Sarı gəlin" mahnısının sözləri:

Saçın ucun hörməzlər,
Gülü sulu dərməzlər,
Sarı gəlin.

Saçın ucun hörməzlər,
Gülü qönçə dərməzlər,
Sarı gəlin.

Bu sevda nə sevdadır?
Səni mənə verməzlər,
Neynim aman, aman,
Neynim aman, aman,
Sarı gəlin.

Bu sevda nə sevdadır?
Səni mənə verməzlər,
Neynim aman aman,
Neynim aman, aman,
Sarı gəlin.

Bu dərənin uzunu,
Çoban, qaytar quzunu, quzunu
Bu dərənin uzunu,
Çoban qaytar quzunu, quzunu.

Nə ola bir gün görəm
Nazlı yarın üzünü.
Neynim aman, aman,
Neynim aman, aman,
Sarı gəlin.

Nə ola bir gün görəm
Nazlı yarın üzünü.
Sevirəm sözün deməyə
Neynim aman, aman,
Sarı gəlin.


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"Sarı gəlin" — Azərbaycan xalq mahnısı. Azərbaycan Respublikası, İran, İraq və Türkiyədə yaşayan türklər arasında yayılmış bir mahnıdır. İlk dəfə 1930-cu illərin əvvəllərində Asəf Zeynallı tərəfindən nota köçürülərək fortepiano üçün işlənmişdir. Mahnının musiqisi altında ifa olunan eyni adlı Azərbaycan xalq rəqsi də mövcüddur.

Etimologiyası

Sarı Gəlin mahnısının etimologiyası haqqında müxtəlif versiyalar var.

Bir versiyaya görə "Sarı gəlin" mahnısının tarixi İslamdan əvvələ gedib çıxır. Amma bəzi musiqiçilər elə hesab edirlər ki, bu əsərin 150-200 illik tarixi var. İntonasiyasına görə, mahnı çox arxaikdir – 3-4 notun üzərində qurulub. VII əsrin əvvəllərində "sarı" sözü rəmzi mənada "böyük", "dağ" anlamında qəbul edilib. Qədim türk anlayışında isə "sarı" "kübar", "incə" deməkdir. Bizdə bu ifadə iki anlayışda – "rəng" və "ürəyimin sarı siminə toxunma" kimi istifadə edilir. İslamdan əvvəl Oğuz tayfalarının ortaq bir mədəniyyəti olub. Tarixi mənbələrdə göstərilir ki, oğuzlar daha çox bu intonasiyada musiqi mədəniyyətini inkişaf etdiriblər və mahnı zamanla formalaşaraq günümüzə gəlib çıxıb. O vaxt qıza elçiliyə gedəndə qız anasının yox, nənənin yanına gələrdilər. Görünür, ilk dəfədən sevgi oxu daşa dəyən cavanlardan biri "səni mənə verməzlər, ay nənən ölsün, sarı gəlin" deyə belə bir musiqi yaradıb.

Bir versiyaya görə ruslar XIX əsrin 20-30-cu illərində Osmanlı torpaqlarına girərək Ərzuruma qədər əraziləri zəbt ediblər. Rəvayətlərə görə, bu illərdə türk qoşununun başçılarından biri slavyan gözəlinə aşiq olub və "Sarı gəlin" adlı şeir yazıb. Sonra ona musiqi həyatı verilib.

Bir versiyaya görə "sarı" sözü rəng anlamında işlədilmir, bu ifadə insanın daxilindəki "sarı sim"ə eyham vurur. Adətən insanların həssas məqamında bu özünü göstərir. Yəni "sarı" sözü şeirdə rəmzi məna daşıyır. "Sarı gəlin" insanın içindəki məhəbbət, nəciblik və ən xoş keyfiyyətlərin məcmusu kimi başa düşülür. Tarixin bəzi məqamlarında "Sarı gəlin"in qadın gözəlliyinə ünvanlandığı da fərziyyə kimi irəli sürülüb.

Milli Konservatoriyanın elmi-tədqiqat laboratoriyasının rəhbəri Abbasqulu Nəcəfzadənin fikrincə isə, "Sarı gəlin"in söz və musiqisi XVI əsrin məşhur dövlət xadimi, sərkərdə və şairi Şah İsmayıl Xətaiyə məxsusdur. O deyir ki, Şah İsmayıl sarayda rəqqasə qızların oyununa baxarkən orada sarı rəngli libasda bir qız onun diqqətini özünə çəkib. O andaca Xətai belə bir əsər yazıb. Eyni zamanda, Şah İsmayıl azərbaycanlı xanımın saçının ucunu hörmədiyini yazmaqla rəqqasə qızı nəzərdə tutduğuna eyham vurub.

Musiqiçi İbrahim Qasımovun fərziyyəsində də bu məqam öz əksini tapır. Ud ifaçısı onu da əlavə etdi ki, bu fakt Əzizə Cəfərzadənin tarixi əsərində yığcam şəkildə öz əksini tapıb.

Lakin bir çox araşdırmaçı və alimim dəstəklədiyi versiya bir qədər fərqlidir.Araşdırmalar göstərir ki,nə türklərin nə də ermənilərin adqoyma mədəniyyətində, xüsusilə qadın və qızlar arasında bir başa rəng adı ilə ad verilməsinə təsadüf olunmur.Alimlər qeyd edirlər ki,Sarı sözü təhrif olunub.Belə ki, əslində mahnının adındakı "sarı" "Sara" adının təhrif variantıdır.

"Sarı gəlin" mahnısından sonra mətn-mənaca ona bağlı, onun davamiyyəti olan başqa bir mahnı – "Apardı sellər Saranı" meydana gəlmişdir. "Apardı sellər Saranı" mahnısından bir müddət sonra isə "Sarı gəlin" yallısı yaranır.

2005-ci ildə "Altın kitab" nəşriyyatı tərəfindən buraxılan "Xalq mahnıları" (tərtibçi redaktoru R.İsmayılov, məsləhətçi prof. M.Qasımlı) toplusunda "Sarı gəlin" mahnısı 3 bənd (hər bənd 4 misra olmaqla) və təkrarlanan nəqarətdən ibarətdir. Şifahi ədəbiyyatın bayatı formasında yazılan şeirdə bir dənə də olsun arxaik, bu günkü oxucu üçün anlaşılmaz söz yoxdur. Elə buna görə də tədqiqatçılar güman edir ki, şeir XIX əsrin II yarısında meydana gəlmişdir. Şeirin məzmunundan belə anlaşılır ki, onu qoşan (ola bilsin bu hadisəyə bələd olan şair, yaxud xalq üslubunda şeir deyə bilən hər hansısa bir nəfər) şəxs kasıb çobanmış və imkanlı ailənin çox gözəl bir qızını sevirmiş. Özü də bilə-bilə ki, bu sevdadan bir şey çıxmayacaq, məhəbbətindən də əl götürə bilmir. Ümidini kəsməyərək Allahdan nicat, aman, yardım istəyir. Zəmanənin gərdişi elə gətirir ki, vaxtilə üzünü tez-tez gördüyü istəklisini bir daha görə bilmir. Yarının ayrılığına dözməli olur. Özü-özünə təskinlik vermək üçün qoyun otara-otara təqdim olunan məzmundakı bayatını düzüb qoşaraq çoban tütəyi musiqisilə zümzümə edərmiş. Bir müddət ötəndən sonra qızı istəmədiyi bir başqasına ərə verirlər. Sara gəlin ərə getdiyi insandan özünə qarşı heç bir məhəbbət görmür. Günləri, mənəvi mənada məşəqqətlə keçir. İlk sevgisini heç cür unuda bilmir. Nəhayət, mənəvi sarsıntılara dözməyərək Arpa çayının aşıb-daşan vaxtında özünü ora atıb həlak edir. Arpa çayı da gözəl Saranı əldən vermək istəmir. Bir neçə günlük uzun axtarışdan sonra onu həlak olaraq tapırlar. Hadisədən azca sonra gözəl, nakam Saraya hansısa el şairi və musiqiçi tərəfindən ikinci bir mahnı – elegiya həsr edilir. Bu olaya uyğun olaraq həmin mahnı-elegiya "Apardı sellər Saranı" adlanır. Yuxarıda adı çəkilən topluda həmin mahnı-elegiya üç bənd (hər bənd üç sətirdən ibarət olmaqla) və nəqarətdən ibarətdir. Şeirin mətnindən də görünür ki, bu "Ala gözlü, qələm qaşlı" Sara məhz "Sarı gəlin"dəki həmin Saradır. Arpa çayında həlak olan Saranın meyidi Azərbaycanın Muğan bölgəsində aşkarlanır. Nəticədə "Muğan... nahaq qana... batır". Hadisəyə söz qoşan el şairi bu barədə hər yerə car çəkdirmək istəyir. Hətta hər il Muğan yaylaqlarına sürülərini gətirən tərəkəmə camaatının (heyvadarlıqla məşğul olan əhali) sərkarı Xançobana belə xəbər göndərilməsini istəyir ki, Muğanın növrağı pozulub deyə, bu il gəlməsin bu yerlərə. Nədən ki, "Sara kimi gəlin Arpa çayının sularında qərq olmuş, gözəl bir gəlin həyata vida demişdir".

Elegiya səciyyəli hər iki mahnının musiqi təfsiri elədir ki, onları tütək və balabanla ifa etdikdə daha təsirli alınır. Bu mənada həmin musiqilərin yaranışə dövründə onların müşayiətinin məhz tütək, daha sonra isə balabanla olması versiyası tam qəbul olunan və təbiidir. Balabanın Azərbaycan musiqi mədəniyyətində nə qədər böyük rola malik olmasının təsdiqi kimi orta əsrlər miniatür rəssamlıq sənətindən yüzlərlə nümunələr gətirmək mümkündür. Buna görə də bəzi musiqilərin ifası zamanı "balaban yoludur" – deyə irəli sürülən erməni cəfəngiyyatı tam iflasa məhkumdur. Necə ki, "Sarı gəlin"in ifasında ən uyğun təfsirin tütək və balaban olması elmi dəlillərlə təsdiq edilir. Başqa sözlə, həmin alətlərlə həmin söz və musiqi ifası vahid vəhdət təşkil edir.

XIX əsrin sonlarına doğru vaxtilə Naxçıvan və Muğan bölgələrində ifa olunan, lakin çox da geniş yayılmamış elə həmin mövzuda, ancaq bu dəfə rəqs musiqisi meydana gəlir. Mahiyyət etibarilə yuğ musiqi və rəqslərini xatırladan bu yallının adı "Sarı gəlin" imiş. Xalq adət-ənənələri üzrə ciddi mütəxəssislər yazırlar ki, yallı tipli bu kütləvi xalq oyununun adındakı "sarı" sözü məhz Sara xüsusi isminin təhrif olunmuş formasıdır. Başqa sözlə, "sarı" Saranın saxta, xalq deyim üslubuna uyğunlaşdırılmış variantıdır.

"Sarı gəlin" mahnısının sözləri:

Saçın ucun hörməzlər,
Gülü sulu dərməzlər,
Sarı gəlin.

Saçın ucun hörməzlər,
Gülü qönçə dərməzlər,
Sarı gəlin.

Bu sevda nə sevdadır?
Səni mənə verməzlər,
Neynim aman, aman,
Neynim aman, aman,
Sarı gəlin.

Bu sevda nə sevdadır?
Səni mənə verməzlər,
Neynim aman aman,
Neynim aman, aman,
Sarı gəlin.

Bu dərənin uzunu,
Çoban, qaytar quzunu, quzunu
Bu dərənin uzunu,
Çoban qaytar quzunu, quzunu.

Nə ola bir gün görəm
Nazlı yarın üzünü.
Neynim aman, aman,
Neynim aman, aman,
Sarı gəlin.

Nə ola bir gün görəm
Nazlı yarın üzünü.
Sevirəm sözün deməyə
Neynim aman, aman,
Sarı gəlin.


]]> AZERBAIJANI FOLK DANCES https://radio-sarigelin.az/index.php?newsid=27 https://radio-sarigelin.az/index.php?newsid=27 _Emil_ Fri, 12 Jun 2020 00:57:00 +0400 AZERBAIJANI FOLK DANCES]]> The history of folk dances of Azerbaijan is very old. The scenes of dances reflected on Gobustan rock pictures are proof of that. Like in many nations of the world Azerbaijanis also had as first dances the ritual and hunting dances.
Beginning since early the medieval centuries various types of folk dances began to form.

Azerbaijani folk dances are very colorful from the viewpoint of themes and these types are – labor, ceremony, household, heroism, sport, chorus game (e.g. “Yallı”, “Halay”) etc. For terms of continuation, richness of the rituals and colorful the marriage ceremony is most important.
Azerbaijani folk dance as a rule consists of 3 parts: the 1st part is speedy, dance on circle; the 2nd part is lyrical, as if the dancer frees on spot (“dances slowly”), the body is sharp and is strong and proud; the 3rd part – again dance on circle, ceremonial and with big emotional ardour. The dances of male and female shaprly differ from each other. The development of female dance is conditioned with costumer: long skirt defined the tender movement of feet, the dance is focused entirely on used technique of upper parts of arm and corpse (shoulder, head, mimics of face etc).The main feature of male dance is technique of feet. The dancer stands quickly on the tiptoe, and goes down ion knees, etc.
The musical volume of Azerbaijani dances is – 6/8 and 3/4. Dances are mainly performed by folk dance people dances: the trio of zournas (2 zourna və sazanda trios), these dances are accompanied by (tar, kamancha) etc.

Most spread folk dances are:
Abayı
Alçagulu
Asma Kasma
Asta Qarabaghi
Avarı
Ay beri bakh (Hey, look at me)
Azerbaijan
Banovsha (Violet)
Birilliant
Çhalpapaq
Jamyşh bagha girdi (The buffalo entered the garden)
Chattadı
Chahribeyim
Jangi
Jeyrani
Chit tuman
Darchini
Dartma, yakham cyrildy – Don’t pull me, my shirt is torn
Dasmalı
Anzali
Gelin atlandı – bride on horse
Gelin getirme – bride bringing
Gelin havası – bride tune
Gulgaz (dance)
Gulmeyi
Heyvagulu
İki arvadlı – with two wives
İnnabı
Kechi mamasi –goat breast
Kendiri
Kasme
Koroghlu
Koroghlu’s return
Lala - Tulip
Mirvari – Pearl
Mirzayi
Misri
Mujassama
Naznazı
Pahlavanı
Gaytaghy
Gazaghy
Gitqilda
Gızılgul
Gizlar bulaghi- maiden spring
Gochali
Gofta
Rangi
Shahsevani
Shalakho
Samukh
Sarybash –Yellow head
Sheki
Samani
Tamara
Tarakama
Toy reqsi -Wedding dance
Turajy
Uch badam, bir goz – Three almonds, one walnut
Uzundara
Vaghzaly
Velachola
khalabajy
Khanchobany
Yallı
Yerli reqs –Local dance
Yuz bir- one hundred one
Zoghaly
]]> The history of folk dances of Azerbaijan is very old. The scenes of dances reflected on Gobustan rock pictures are proof of that. Like in many nations of the world Azerbaijanis also had as first dances the ritual and hunting dances.
Beginning since early the medieval centuries various types of folk dances began to form.

Azerbaijani folk dances are very colorful from the viewpoint of themes and these types are – labor, ceremony, household, heroism, sport, chorus game (e.g. “Yallı”, “Halay”) etc. For terms of continuation, richness of the rituals and colorful the marriage ceremony is most important.
Azerbaijani folk dance as a rule consists of 3 parts: the 1st part is speedy, dance on circle; the 2nd part is lyrical, as if the dancer frees on spot (“dances slowly”), the body is sharp and is strong and proud; the 3rd part – again dance on circle, ceremonial and with big emotional ardour. The dances of male and female shaprly differ from each other. The development of female dance is conditioned with costumer: long skirt defined the tender movement of feet, the dance is focused entirely on used technique of upper parts of arm and corpse (shoulder, head, mimics of face etc).The main feature of male dance is technique of feet. The dancer stands quickly on the tiptoe, and goes down ion knees, etc.
The musical volume of Azerbaijani dances is – 6/8 and 3/4. Dances are mainly performed by folk dance people dances: the trio of zournas (2 zourna və sazanda trios), these dances are accompanied by (tar, kamancha) etc.

Most spread folk dances are:
Abayı
Alçagulu
Asma Kasma
Asta Qarabaghi
Avarı
Ay beri bakh (Hey, look at me)
Azerbaijan
Banovsha (Violet)
Birilliant
Çhalpapaq
Jamyşh bagha girdi (The buffalo entered the garden)
Chattadı
Chahribeyim
Jangi
Jeyrani
Chit tuman
Darchini
Dartma, yakham cyrildy – Don’t pull me, my shirt is torn
Dasmalı
Anzali
Gelin atlandı – bride on horse
Gelin getirme – bride bringing
Gelin havası – bride tune
Gulgaz (dance)
Gulmeyi
Heyvagulu
İki arvadlı – with two wives
İnnabı
Kechi mamasi –goat breast
Kendiri
Kasme
Koroghlu
Koroghlu’s return
Lala - Tulip
Mirvari – Pearl
Mirzayi
Misri
Mujassama
Naznazı
Pahlavanı
Gaytaghy
Gazaghy
Gitqilda
Gızılgul
Gizlar bulaghi- maiden spring
Gochali
Gofta
Rangi
Shahsevani
Shalakho
Samukh
Sarybash –Yellow head
Sheki
Samani
Tamara
Tarakama
Toy reqsi -Wedding dance
Turajy
Uch badam, bir goz – Three almonds, one walnut
Uzundara
Vaghzaly
Velachola
khalabajy
Khanchobany
Yallı
Yerli reqs –Local dance
Yuz bir- one hundred one
Zoghaly
]]> CHILDREN`S SONGS https://radio-sarigelin.az/index.php?newsid=26 https://radio-sarigelin.az/index.php?newsid=26 _Emil_ Fri, 12 Jun 2020 00:55:23 +0400 CHILDREN`S SONGS]]> Children songs
It is one of the most common types of music kinds in Azerbaijan. A. Zeynalli had laid the foundation of children\'s music for the first time with Child suita work in the history of Azerbaijani music. Later many Azerbaijani composers appealed to the topic of children throughout their works.



The list of most popular children\'s songs:
1. Chıq-chıq (Lyrics: Ilyas Tapdiq, Music: Nariman Mammadov)
2. Sportsmen\'s song (Lyrics: Hussein Abbaszadeh, Music: Ganbar Huseynli)
3. Needle (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
4. Echo (Lyrics: Khanumana Alibayli, Music: Hokuma Najafova)
5. Birthday (Lyrics: T. Mutallibov, Music: Agabajı Rzayeva)
6. Apple (Lyrics: Mehdi Seyidzade, Music: S.Rustamov)
7. Mother and daughter (Lyrics: T. Mutallibov, Music: Ramiz Mustafayev)
8. Pear (Lyrics: Khanumana Alibayli, Music: Shafiga Akhundova)
9. Bear (Lyrics: Jahangir Mammadov, Music: Midhat Akhmedov)
10. Our garden (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
11. Spring (Lyrics: Yusif Hasanbey, Music: Vasif Adigozalov)
12. Spring comes (Lyrics: Yusif Hasanbey, Music: Ramiz Mustafayev)
13. Little Captain (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
14. I am little oil worker (Lyrics: Rafik Zeka, Music: Telman Aliyev)
15. Little hunter (Lyrics: Hikmat Ziya, Music: Oktay Zulfugarov)
16. Song of Bip-bip (Lyrics: Teymur Elchin Music: FAmirov)
17. Our Baku subway station (Lyrics: Hikmat Ziya, Music: Agabajı Rzayeva)
18. Our ship (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
19. Our yard (Lyrics: Teymur Elchin, Music: F.Amirov)
20. Calf (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
21. The third (Lyrics: Teymur Elchin, Music: Oktay Zulfugarov)
22. Chickens (Lyrics: T. Mutallibov, Music: Ganbar Huseynli)
23. Dragonfly (Lyrics: Yusif Hasanbey, Music: Oktay Zulfugarov)
24. Live corner (Lyrics: T. Mutallibov, Music: Midhat Akhmedov)
25. Mountains (Lyrics: Mehdi Seyidzade, Music: S.Rustamov)
26. Friendship Train (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
27. My hare (Lyrics: Yusif Hasanbey, Music: Ganbar Huseynli)
28. O, my brave army! (Lyrics: Hikmat Ziya, Music: Emin Mahmudov)
29. Beautiful Land (Lyrics: Teymur Elchin, Music: Oktay Zulfugarov)
30. Flowers (Lyrics: T. Mutallibov, Music: Midhat Akhmedov)
31. The Sun (Lyrics: Aydin Ibrahimov, Music: T. Bakikhanov)
32. I would be the sun (Lyrics: Khanimana Alibayli, Music: Hokuma Najafova)
33. Sun, come! (Lyrics: Mehdi Seyidzade, Music: S.Rustamov)
34. Come spring (Lyrics: Teymur Elchin, Music: Oktay Zulfugarov)
35. Come on (Lyrics: Teymur Elchin, Music: Oktay Zulfugarov)
36. Young gardeners (Lyrics: T. Mutallibov, Music: Ganbar Huseynli)
37. Young Sportsmen\'s song (Lyrics: Hikmat Ziya, Music: M.Mirzayev)
38. Village (Lyrics: Yusuf Hasanbey, Music: Nazim Aliverdibeyov)
39. Small cook (Lyrics: Yusif Hasanbey, Music: Oktay Zulfugarov)
40. Small fishermen (Lyrics: Hikmat Ziya, Music: Efser Javanshirova)
41. Toy (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
42. My toy is ill (Lyrics: Yusif Hasanbey, Music: Oktay Zulfugarov)
43. Layla (Lyrics: Sardar Asad, Music: Ramiz Mustafayev)
44. I’ll go to school (Lyrics: Ilyas Hasanbeyr, Music: Oktay Zulfugarov)
45. Pupils (Lyrics: Anvar Alibayli, Music: I. Guliyev)
46. My toys (Lyrics: T. Mutallibov, Music: Midhat Akhmedov)
47. Mastan (Lyrics: Jahangir Mammadov, Music: Ganbar Huseynli)
48. Drive my car (Lyrics: Yusif Hasanabey, Music: Oktay Zulfugarov)
49. Deer (Lyrics: Mehdi Seyidzade, Music: S. Rustamov)
50. Sawn (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
51. Cattle comes (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
52. Land of Fire (Lyrics: T. Mutallibov, Music: Amirov)
53. Father Winter (Lyrics: Mehdi Seyidzade, Music: S.Rustamov)
54. Winter Song (Lyrics: T. Mutallibov, Music: Agabajı Rzayeva)
55. Winter song (Lyrics: Teymur Elchin, Music: Oktay Zulfugarov)
56. Red balloon (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
57. Rose (Lyrics: Sardar Asad, Music: Ramiz Mustafayev)
58. Black girl (Lyrics: Ilyas Tapdiq, Music: Nariman Mammadov)
59. Train (Lyrics: Zeynal Jabbarzade, Music: F.Amirov)
60. Entertainment (Lyrics: Khanimana Alibayli, Music: Oktay Zulfugarov)
61. Birds song (Lyrics: Hikmat Ziya, Music: Rasim Badalov)
62. My dear chap (Lyrics: Mehdi Seyidzade, Music: S.Rustamov)
63. My dear chap (Lyrics: Zeynal Jabbarzade, Music: F.Amirov)
64. Hello, our school (Lyrics: Hussein Abbaszadeh, Music: Ganbar Huseynli)
65. Caspian Sea (Lyrics: Mehdi Seyidzade, Music: Said Rustamov)
66. Welcome, New Year (Lyrics: Hikmat Ziya, Music: Agabaji Rzayeva)
]]> Children songs
It is one of the most common types of music kinds in Azerbaijan. A. Zeynalli had laid the foundation of children\'s music for the first time with Child suita work in the history of Azerbaijani music. Later many Azerbaijani composers appealed to the topic of children throughout their works.



The list of most popular children\'s songs:
1. Chıq-chıq (Lyrics: Ilyas Tapdiq, Music: Nariman Mammadov)
2. Sportsmen\'s song (Lyrics: Hussein Abbaszadeh, Music: Ganbar Huseynli)
3. Needle (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
4. Echo (Lyrics: Khanumana Alibayli, Music: Hokuma Najafova)
5. Birthday (Lyrics: T. Mutallibov, Music: Agabajı Rzayeva)
6. Apple (Lyrics: Mehdi Seyidzade, Music: S.Rustamov)
7. Mother and daughter (Lyrics: T. Mutallibov, Music: Ramiz Mustafayev)
8. Pear (Lyrics: Khanumana Alibayli, Music: Shafiga Akhundova)
9. Bear (Lyrics: Jahangir Mammadov, Music: Midhat Akhmedov)
10. Our garden (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
11. Spring (Lyrics: Yusif Hasanbey, Music: Vasif Adigozalov)
12. Spring comes (Lyrics: Yusif Hasanbey, Music: Ramiz Mustafayev)
13. Little Captain (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
14. I am little oil worker (Lyrics: Rafik Zeka, Music: Telman Aliyev)
15. Little hunter (Lyrics: Hikmat Ziya, Music: Oktay Zulfugarov)
16. Song of Bip-bip (Lyrics: Teymur Elchin Music: FAmirov)
17. Our Baku subway station (Lyrics: Hikmat Ziya, Music: Agabajı Rzayeva)
18. Our ship (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
19. Our yard (Lyrics: Teymur Elchin, Music: F.Amirov)
20. Calf (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
21. The third (Lyrics: Teymur Elchin, Music: Oktay Zulfugarov)
22. Chickens (Lyrics: T. Mutallibov, Music: Ganbar Huseynli)
23. Dragonfly (Lyrics: Yusif Hasanbey, Music: Oktay Zulfugarov)
24. Live corner (Lyrics: T. Mutallibov, Music: Midhat Akhmedov)
25. Mountains (Lyrics: Mehdi Seyidzade, Music: S.Rustamov)
26. Friendship Train (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
27. My hare (Lyrics: Yusif Hasanbey, Music: Ganbar Huseynli)
28. O, my brave army! (Lyrics: Hikmat Ziya, Music: Emin Mahmudov)
29. Beautiful Land (Lyrics: Teymur Elchin, Music: Oktay Zulfugarov)
30. Flowers (Lyrics: T. Mutallibov, Music: Midhat Akhmedov)
31. The Sun (Lyrics: Aydin Ibrahimov, Music: T. Bakikhanov)
32. I would be the sun (Lyrics: Khanimana Alibayli, Music: Hokuma Najafova)
33. Sun, come! (Lyrics: Mehdi Seyidzade, Music: S.Rustamov)
34. Come spring (Lyrics: Teymur Elchin, Music: Oktay Zulfugarov)
35. Come on (Lyrics: Teymur Elchin, Music: Oktay Zulfugarov)
36. Young gardeners (Lyrics: T. Mutallibov, Music: Ganbar Huseynli)
37. Young Sportsmen\'s song (Lyrics: Hikmat Ziya, Music: M.Mirzayev)
38. Village (Lyrics: Yusuf Hasanbey, Music: Nazim Aliverdibeyov)
39. Small cook (Lyrics: Yusif Hasanbey, Music: Oktay Zulfugarov)
40. Small fishermen (Lyrics: Hikmat Ziya, Music: Efser Javanshirova)
41. Toy (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
42. My toy is ill (Lyrics: Yusif Hasanbey, Music: Oktay Zulfugarov)
43. Layla (Lyrics: Sardar Asad, Music: Ramiz Mustafayev)
44. I’ll go to school (Lyrics: Ilyas Hasanbeyr, Music: Oktay Zulfugarov)
45. Pupils (Lyrics: Anvar Alibayli, Music: I. Guliyev)
46. My toys (Lyrics: T. Mutallibov, Music: Midhat Akhmedov)
47. Mastan (Lyrics: Jahangir Mammadov, Music: Ganbar Huseynli)
48. Drive my car (Lyrics: Yusif Hasanabey, Music: Oktay Zulfugarov)
49. Deer (Lyrics: Mehdi Seyidzade, Music: S. Rustamov)
50. Sawn (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
51. Cattle comes (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
52. Land of Fire (Lyrics: T. Mutallibov, Music: Amirov)
53. Father Winter (Lyrics: Mehdi Seyidzade, Music: S.Rustamov)
54. Winter Song (Lyrics: T. Mutallibov, Music: Agabajı Rzayeva)
55. Winter song (Lyrics: Teymur Elchin, Music: Oktay Zulfugarov)
56. Red balloon (Lyrics: Jahangir Mammadov, Music: Agabajı Rzayeva)
57. Rose (Lyrics: Sardar Asad, Music: Ramiz Mustafayev)
58. Black girl (Lyrics: Ilyas Tapdiq, Music: Nariman Mammadov)
59. Train (Lyrics: Zeynal Jabbarzade, Music: F.Amirov)
60. Entertainment (Lyrics: Khanimana Alibayli, Music: Oktay Zulfugarov)
61. Birds song (Lyrics: Hikmat Ziya, Music: Rasim Badalov)
62. My dear chap (Lyrics: Mehdi Seyidzade, Music: S.Rustamov)
63. My dear chap (Lyrics: Zeynal Jabbarzade, Music: F.Amirov)
64. Hello, our school (Lyrics: Hussein Abbaszadeh, Music: Ganbar Huseynli)
65. Caspian Sea (Lyrics: Mehdi Seyidzade, Music: Said Rustamov)
66. Welcome, New Year (Lyrics: Hikmat Ziya, Music: Agabaji Rzayeva)
]]> MEIKHANA https://radio-sarigelin.az/index.php?newsid=25 https://radio-sarigelin.az/index.php?newsid=25 _Emil_ Fri, 12 Jun 2020 00:53:32 +0400 MEIKHANA]]> Hip-Hop (Rap) music was appeared in the United States in 1970. This type of music, which is not accepted by whites, was criticisized and was oppressed. Then music experts assumed that rap was formed among blacks and would disappear among them. But despite all this, within a short time rap started to spread all over Europe.
Radio Sari Gelin

This genre known in Azerbaijan since the early of 1990 was met by the people with great sympathy. Role of Azerbaijan\'s National Hero Chingiz Mustafayev in the development of rap, its popularity is irreplaceable. In addition, Chingiz Mustafayev was the founder of first disco-club in Azerbaijan. At that time songs of popular Snap, Dr.Alban negro groups were sounded. Thus, Chingiz Mustafayev recorded his name as a first man brought Negro rap in Azerbaijan.
Then with the Poor song song Anar Nagilbaz composed the first rap in Azeri. In 1993, the album presented by A. Nagılbaz to public was a cause of interest than it was expected. This enre already caused an interest in each. Winner of Patriotic Song Contest “Deyirman group later became popular with “Garabagh or Death song.
Elshad Khose’s Life is unchanged album was met by rap funs with interest.
In 2000 Anar Nagilbaz gathered talented young people around self by Azeri Image Service project. At this project, known as the first rapper girl McRain proved that rap was not only for boys.
In 2001-2002, a new rapper Uran (Ibrahim Ibrahimov) stepped into the world of rap.
Besides Deyirman group in 2002 Uran and in 2009 Chaos rap groups were created.
]]> Hip-Hop (Rap) music was appeared in the United States in 1970. This type of music, which is not accepted by whites, was criticisized and was oppressed. Then music experts assumed that rap was formed among blacks and would disappear among them. But despite all this, within a short time rap started to spread all over Europe.
Radio Sari Gelin

This genre known in Azerbaijan since the early of 1990 was met by the people with great sympathy. Role of Azerbaijan\'s National Hero Chingiz Mustafayev in the development of rap, its popularity is irreplaceable. In addition, Chingiz Mustafayev was the founder of first disco-club in Azerbaijan. At that time songs of popular Snap, Dr.Alban negro groups were sounded. Thus, Chingiz Mustafayev recorded his name as a first man brought Negro rap in Azerbaijan.
Then with the Poor song song Anar Nagilbaz composed the first rap in Azeri. In 1993, the album presented by A. Nagılbaz to public was a cause of interest than it was expected. This enre already caused an interest in each. Winner of Patriotic Song Contest “Deyirman group later became popular with “Garabagh or Death song.
Elshad Khose’s Life is unchanged album was met by rap funs with interest.
In 2000 Anar Nagilbaz gathered talented young people around self by Azeri Image Service project. At this project, known as the first rapper girl McRain proved that rap was not only for boys.
In 2001-2002, a new rapper Uran (Ibrahim Ibrahimov) stepped into the world of rap.
Besides Deyirman group in 2002 Uran and in 2009 Chaos rap groups were created.
]]> RAP https://radio-sarigelin.az/index.php?newsid=24 https://radio-sarigelin.az/index.php?newsid=24 _Emil_ Fri, 12 Jun 2020 00:51:44 +0400 RAP]]> Hip-Hop (Rap) music was appeared in the United States in 1970. This type of music, which is not accepted by whites, was criticisized and was oppressed. Then music experts assumed that rap was formed among blacks and would disappear among them. But despite all this, within a short time rap started to spread all over Europe.


This genre known in Azerbaijan since the early of 1990 was met by the people with great sympathy. Role of Azerbaijan\'s National Hero Chingiz Mustafayev in the development of rap, its popularity is irreplaceable. In addition, Chingiz Mustafayev was the founder of first disco-club in Azerbaijan. At that time songs of popular Snap, Dr.Alban negro groups were sounded. Thus, Chingiz Mustafayev recorded his name as a first man brought Negro rap in Azerbaijan.
Then with the Poor song song Anar Nagilbaz composed the first rap in Azeri. In 1993, the album presented by A. Nagılbaz to public was a cause of interest than it was expected. This enre already caused an interest in each. Winner of Patriotic Song Contest “Deyirman group later became popular with “Garabagh or Death song.
Elshad Khose’s Life is unchanged album was met by rap funs with interest.
In 2000 Anar Nagilbaz gathered talented young people around self by Azeri Image Service project. At this project, known as the first rapper girl McRain proved that rap was not only for boys.
In 2001-2002, a new rapper Uran (Ibrahim Ibrahimov) stepped into the world of rap.
Besides Deyirman group in 2002 Uran and in 2009 Chaos rap groups were created.
]]> Hip-Hop (Rap) music was appeared in the United States in 1970. This type of music, which is not accepted by whites, was criticisized and was oppressed. Then music experts assumed that rap was formed among blacks and would disappear among them. But despite all this, within a short time rap started to spread all over Europe.


This genre known in Azerbaijan since the early of 1990 was met by the people with great sympathy. Role of Azerbaijan\'s National Hero Chingiz Mustafayev in the development of rap, its popularity is irreplaceable. In addition, Chingiz Mustafayev was the founder of first disco-club in Azerbaijan. At that time songs of popular Snap, Dr.Alban negro groups were sounded. Thus, Chingiz Mustafayev recorded his name as a first man brought Negro rap in Azerbaijan.
Then with the Poor song song Anar Nagilbaz composed the first rap in Azeri. In 1993, the album presented by A. Nagılbaz to public was a cause of interest than it was expected. This enre already caused an interest in each. Winner of Patriotic Song Contest “Deyirman group later became popular with “Garabagh or Death song.
Elshad Khose’s Life is unchanged album was met by rap funs with interest.
In 2000 Anar Nagilbaz gathered talented young people around self by Azeri Image Service project. At this project, known as the first rapper girl McRain proved that rap was not only for boys.
In 2001-2002, a new rapper Uran (Ibrahim Ibrahimov) stepped into the world of rap.
Besides Deyirman group in 2002 Uran and in 2009 Chaos rap groups were created.
]]> POP MUSIC https://radio-sarigelin.az/index.php?newsid=23 https://radio-sarigelin.az/index.php?newsid=23 _Emil_ Fri, 12 Jun 2020 00:50:27 +0400 POP MUSIC]]> Variety is music kind having a combination of different directions of art. Variety combines music, illusion, dance, conversational style and circus acts.

Radio Sari Gelin

History of appearance of pop music in Azerbaijan coincides with mid of twentieth century.
In 1956, the Azerbaijan State Theater Orchestra, in 1957, We are from Baku pop ensemble, in 1960 Azerbaijan Television and Radio Variety Orchestra, in 1960-es Qaya quartet (later became a vocal-instrumental ensemble), in 1968 Azerbaijan State Theatre of Songs, in 1975 the Azerbaijan State Symphonic Orchestra were created and played an important role in the development of pop art in Azerbaijan. In post-war years opera singers (Rauf Atakishiyev, Lutfiyar Imanov) had influence on improvement of pop art. Rashid, Muslim Magomayev, Polad Bulbuloglu had enriched the pop art creativity.
Shevket Alekperova, Gulaga Mammadov, Mirza Babayev, Ogtay Agayev, Flora Kerimova, Elmira Rahimova, Yalchin Rzazade, Ilhama Guliyeva, Mubariz Tagiyev, Hadi Hadiyev, Akif İslamzade and others rendered active service in promoting pop songs. Today there are many well-known artists in the genre of pop music: Aygun Kazimova, Zulfiyya Khanbabayeva, Brilliant Dadashova, Faik Agayev, Samir Bagirov, Roya Aykhan, etc.
]]> Variety is music kind having a combination of different directions of art. Variety combines music, illusion, dance, conversational style and circus acts.

Radio Sari Gelin

History of appearance of pop music in Azerbaijan coincides with mid of twentieth century.
In 1956, the Azerbaijan State Theater Orchestra, in 1957, We are from Baku pop ensemble, in 1960 Azerbaijan Television and Radio Variety Orchestra, in 1960-es Qaya quartet (later became a vocal-instrumental ensemble), in 1968 Azerbaijan State Theatre of Songs, in 1975 the Azerbaijan State Symphonic Orchestra were created and played an important role in the development of pop art in Azerbaijan. In post-war years opera singers (Rauf Atakishiyev, Lutfiyar Imanov) had influence on improvement of pop art. Rashid, Muslim Magomayev, Polad Bulbuloglu had enriched the pop art creativity.
Shevket Alekperova, Gulaga Mammadov, Mirza Babayev, Ogtay Agayev, Flora Kerimova, Elmira Rahimova, Yalchin Rzazade, Ilhama Guliyeva, Mubariz Tagiyev, Hadi Hadiyev, Akif İslamzade and others rendered active service in promoting pop songs. Today there are many well-known artists in the genre of pop music: Aygun Kazimova, Zulfiyya Khanbabayeva, Brilliant Dadashova, Faik Agayev, Samir Bagirov, Roya Aykhan, etc.
]]> ROCK https://radio-sarigelin.az/index.php?newsid=22 https://radio-sarigelin.az/index.php?newsid=22 _Emil_ Fri, 12 Jun 2020 00:48:28 +0400 ROCK]]> In rock music using of the electronic musical instruments, being satisfied with playing music made by self is a second-degree and sometimes it leads to wrong ideas. Therefore, the belonging of some of the music kinds to rock is under question. At the same time kinds of fashion, subcults like hippies, punks, gots is closely connected with rock. Rock has light light rock-n-roll (rock and roll) and aggressive grindcore kind. Songs can narrate of light and free, deep and philosophical themes. Sometimes rock and pop music are compared with each other. In fact, between the rock and pop concepts there is no clear boundary many kinds of music kinds remain between them.

The main development centers of rock are in the United States and Western Europe. The United Kingdom is leading rock loving country.
The rock music is widely spread in Azerbaijan 1966- 75. At that time, the youth listened Western rock music on radio waves. More young people who wanted to listen quality music, listened groups like Led Zeppelin, Beatles, Animals. In universities, cultural houses, schools rock groups were created. Many faced difficulties in understanding the words of the music played in foreign languages, so when the original word played was not used always.
As Azerbaijan is a country with a great musical culture there was no special control over the nature of this music coming from the west. Komsomol Committee was the main organizer of rock festivals. However, it was necessary to make up for the communist slogans for concert.
In 1960-70-es Eksulap (Medical University), Khurramids (University of Economics), Color and rock groups were created and lived by youth. Compared to the influence of Western music of the 70-es they created their own musical style. These included “Jur-ba-Jur (under the leadership Jahangir Garayev), Brevis, Three fire.
2 groups played a major role in the formation of the rock music style. They are Expriment Ok and Ashugs (under the leadership of Ali Shihkaliyev) group. Ashugs in own music uses oud, tar, and kamancha. Elkhan Shikhaliyev also played saxophone in Experiment OK group. Unformal group has been awarded the Red Crescent Prize for the best rock groups in 2001, in BIC Fest 01 festival. Even American radiostations wanted to sound the composition “I’ll hope there\'ll be played but due to lower qualities of sound they have failed to do it.
Presently the audience of Azerbaijani rock music is weak. But, nevertheless, such groups continue to function, and often perform concert programs in foreign countries.
]]> In rock music using of the electronic musical instruments, being satisfied with playing music made by self is a second-degree and sometimes it leads to wrong ideas. Therefore, the belonging of some of the music kinds to rock is under question. At the same time kinds of fashion, subcults like hippies, punks, gots is closely connected with rock. Rock has light light rock-n-roll (rock and roll) and aggressive grindcore kind. Songs can narrate of light and free, deep and philosophical themes. Sometimes rock and pop music are compared with each other. In fact, between the rock and pop concepts there is no clear boundary many kinds of music kinds remain between them.

The main development centers of rock are in the United States and Western Europe. The United Kingdom is leading rock loving country.
The rock music is widely spread in Azerbaijan 1966- 75. At that time, the youth listened Western rock music on radio waves. More young people who wanted to listen quality music, listened groups like Led Zeppelin, Beatles, Animals. In universities, cultural houses, schools rock groups were created. Many faced difficulties in understanding the words of the music played in foreign languages, so when the original word played was not used always.
As Azerbaijan is a country with a great musical culture there was no special control over the nature of this music coming from the west. Komsomol Committee was the main organizer of rock festivals. However, it was necessary to make up for the communist slogans for concert.
In 1960-70-es Eksulap (Medical University), Khurramids (University of Economics), Color and rock groups were created and lived by youth. Compared to the influence of Western music of the 70-es they created their own musical style. These included “Jur-ba-Jur (under the leadership Jahangir Garayev), Brevis, Three fire.
2 groups played a major role in the formation of the rock music style. They are Expriment Ok and Ashugs (under the leadership of Ali Shihkaliyev) group. Ashugs in own music uses oud, tar, and kamancha. Elkhan Shikhaliyev also played saxophone in Experiment OK group. Unformal group has been awarded the Red Crescent Prize for the best rock groups in 2001, in BIC Fest 01 festival. Even American radiostations wanted to sound the composition “I’ll hope there\'ll be played but due to lower qualities of sound they have failed to do it.
Presently the audience of Azerbaijani rock music is weak. But, nevertheless, such groups continue to function, and often perform concert programs in foreign countries.
]]> JAZZ https://radio-sarigelin.az/index.php?newsid=21 https://radio-sarigelin.az/index.php?newsid=21 _Emil_ Fri, 12 Jun 2020 00:46:43 +0400 JAZZ]]> Jazz music
The foundation of Azerbaijani jazz was laid by the State Pop Orchestra known as State jazz at the end of the 30-es by Niyazi and T. Guliyev. The 1st composition of the ensemble consisted of three-trombone, trumpet, five-saxophone, piano, guitar and percussion instruments. The orchestra\'s first concert program at the same level with classic jazz was also included Niyazi and T. Guliyev\'s plays.

Radio Sari Gelin

After the end of the Great Patriotic War Rauf Hajiyev was the head of State jazz. However, the 1950-60-es the Western propaganda machine against the USSR made a strong damage to the development of this musical genre in country. However, in spite of all precautions, fans of this music gather in one place, listen music in the western radio stations, and then try to perform independently music heard.

Jazz Center in Baku
Until 1950 years one of the most important performers of jazz was saxophonist, jazzman Parviz Rustambeyov. So-called Soviet Benny Goodmen P. Rustambeyov had created first jazz orchestra in Krasnıy Vostok (now Azerbaijan) cinema, and later in Nizami cinema.
In 60-ies of the last century with support and leadership of Gara Garayev, Niyazi, T. Guliyev, Rauf Hajiyev the pop and jazz music begins its second life in Azerbaijan. Periods of “Qaya and quartet of Rafiq Babayev, V. Mustafazade begins.
V. Mustafazade that is considered the founder of lyrical jazz for the first time in the world had organized in Tbilisi State Philharmonic Society (Georgia) Caucasian jazz-trio. He had arranged and led the first Leyli lady quartet, Sevil vocal-instrumental ensemble, and Mugam instrumental ensemble.
V.Mustafazade presented eastern mugham in the language understandable to the western music listeners- that was in the language of jazz. The free feature of the improvisation turned to main part of links between jazz and mugham. V.Mustafazade was well aware of it and early of 60-es the new stream in music – jazz mugham stream was created by him.

Azerbaijani jazz today
Azerbaijani jazz is unforgotten legend. Prominent representatives of the national jazz Salman Gambarov, Rain Sultanov, Aziza Mustafazade, Shahin Novrasli and others names can be mentioned.
Bakustic jazz centre created by Salman Gambarov was always welcomed in festivals and completions held in Georgia, Russia, Germany, England.
Syndicate group created by Rain Sultanov in 1996 was one of the most popular jazz groups of the world.
Aziza Mustafazade, gained the first place in piano competition named after Teloyenus Monk in Washington, DC at age 17 had developed the first album in 1991 under the name “Aziza Mustafa Zadeh. Her second album, Always brought her the highest award of the Voice Academy Award considered as the German Music Award and won Sonin’s Echo Award. A. Mustafazade represented Azerbaijani jazz with performing jazz and other traditional styles in many countries.
Today, name of Shahin Novrasli that performed in international festivals and surprised the world-known jazzmen during his performances in the United States and Europe. Moscow jazzmen call him as the new star of the world jazz stage.
In 2009, in Baku, the first Jazz Festival created a positive turning point in the development of jazz in the country.
In 2010, the second Jazz Festival was remembered as one of the world\'s major festivals. In addition to Azerbaijan the international jazz performers also took part in the festival.
Currently Baku Jazz Center operating in Baku is making its contribution to the development of jazz in Azerbaijan.
]]> Jazz music
The foundation of Azerbaijani jazz was laid by the State Pop Orchestra known as State jazz at the end of the 30-es by Niyazi and T. Guliyev. The 1st composition of the ensemble consisted of three-trombone, trumpet, five-saxophone, piano, guitar and percussion instruments. The orchestra\'s first concert program at the same level with classic jazz was also included Niyazi and T. Guliyev\'s plays.

Radio Sari Gelin

After the end of the Great Patriotic War Rauf Hajiyev was the head of State jazz. However, the 1950-60-es the Western propaganda machine against the USSR made a strong damage to the development of this musical genre in country. However, in spite of all precautions, fans of this music gather in one place, listen music in the western radio stations, and then try to perform independently music heard.

Jazz Center in Baku
Until 1950 years one of the most important performers of jazz was saxophonist, jazzman Parviz Rustambeyov. So-called Soviet Benny Goodmen P. Rustambeyov had created first jazz orchestra in Krasnıy Vostok (now Azerbaijan) cinema, and later in Nizami cinema.
In 60-ies of the last century with support and leadership of Gara Garayev, Niyazi, T. Guliyev, Rauf Hajiyev the pop and jazz music begins its second life in Azerbaijan. Periods of “Qaya and quartet of Rafiq Babayev, V. Mustafazade begins.
V. Mustafazade that is considered the founder of lyrical jazz for the first time in the world had organized in Tbilisi State Philharmonic Society (Georgia) Caucasian jazz-trio. He had arranged and led the first Leyli lady quartet, Sevil vocal-instrumental ensemble, and Mugam instrumental ensemble.
V.Mustafazade presented eastern mugham in the language understandable to the western music listeners- that was in the language of jazz. The free feature of the improvisation turned to main part of links between jazz and mugham. V.Mustafazade was well aware of it and early of 60-es the new stream in music – jazz mugham stream was created by him.

Azerbaijani jazz today
Azerbaijani jazz is unforgotten legend. Prominent representatives of the national jazz Salman Gambarov, Rain Sultanov, Aziza Mustafazade, Shahin Novrasli and others names can be mentioned.
Bakustic jazz centre created by Salman Gambarov was always welcomed in festivals and completions held in Georgia, Russia, Germany, England.
Syndicate group created by Rain Sultanov in 1996 was one of the most popular jazz groups of the world.
Aziza Mustafazade, gained the first place in piano competition named after Teloyenus Monk in Washington, DC at age 17 had developed the first album in 1991 under the name “Aziza Mustafa Zadeh. Her second album, Always brought her the highest award of the Voice Academy Award considered as the German Music Award and won Sonin’s Echo Award. A. Mustafazade represented Azerbaijani jazz with performing jazz and other traditional styles in many countries.
Today, name of Shahin Novrasli that performed in international festivals and surprised the world-known jazzmen during his performances in the United States and Europe. Moscow jazzmen call him as the new star of the world jazz stage.
In 2009, in Baku, the first Jazz Festival created a positive turning point in the development of jazz in the country.
In 2010, the second Jazz Festival was remembered as one of the world\'s major festivals. In addition to Azerbaijan the international jazz performers also took part in the festival.
Currently Baku Jazz Center operating in Baku is making its contribution to the development of jazz in Azerbaijan.
]]> CLASSIC MUSIC https://radio-sarigelin.az/index.php?newsid=20 https://radio-sarigelin.az/index.php?newsid=20 _Emil_ Fri, 12 Jun 2020 00:42:19 +0400 CLASSIC MUSIC]]> Classical music is called those works that already became the history, and tested of time. However, its audience is still preserved in modern society, kept, loved and heard.

Radio Sari Gelin

In terms of the notion of classical music in the history of music in the twentieth century it is a remarkable milestone. Namely during that period the composer\'s school was established in the country distinguished with the highest professionalism, the original musical style. Azerbaijan gets integrated into general system of professional musical culture of the world, Azerbaijani composers and performers raised till the world music level.
The founder of the professional classical music is considered great composer Uzeyir Hajibeyov.
At the end of the 30-es – early of 40-es the new generation of composers grows. The range of creative searches is expanding, new genres, new tendencies appeared. The leading European music trends like neoclassicism, dodecaphony, serial technique, used in resulting national basis and resulted in findings of interesting works of art. The most important thing is that the Azerbaijani music is already crossed borders of the country, gained fame at international level. Such a huge success in the first is related to the creative search of three great artists Gara Garayev (1918-1982), Fikrat Amirov (1922-1984) and Niyazi (1912-1984). They works were sounded in many countries of the world and recorded in disks and prizes were awarded. Niyazi that was awarded with Jawaharlal Nehru, Medal of Bela Bartok and a number of international prizes was one of great conductors of our time.
During 30-40-es in the music of Azerbaijan great classic music composers like Said Rustamov (1907-1983) and T. Guliyev (1917-2000) were appeared. S. Rustamov Alagez, For your sake, You did not come, Surayya, Sing, tar, etc., T. Guliyev was inspired from Azerbaijan\'s folk music traditions, as well as pop and jazz music of Europe It will not remain for your”, Golden Ring, I became happy, A song about Baku, Zubeyde, etc. songs are beautiful examples of classical music of Azerbaijan.
Symphonic music is music to be played by the symphonic orchestra.
Symphonic music includes multipart monumental compositions with deep, complex ideas and emotional content, as well as the small form of popular music, symphony, symphonic poem, overture, suite, concerts, cantatas, overtures, fantasia, etc. The service of Uzeyir Hajibeyov in development of symphonic music in Azerbaijan is great. He is the founder of the school of symphonic music. Prominent representatives of the Azerbaijani symphonic music like G. Garayev, J. Hajiyev, F. Amirov, Niyazi, S. Hajibeyov, A. Melikov, A. Rzayev and others graduates are from school students.

Symphonic Mugam
It is a genre of mugham. It was established in 1948 by composer Fikret Amirov. Based on the nature of the material and the composition of music written by F. Amirov mugams like Shur and Kurd-Ovsharı laid the foundation of the Azerbaijani symphonic works of this genre.
The main feature of the genre is that gradual growing development principle specific to mugham dastgah, its composition structure, the dramaturgic movement line was preserved and at the same time symphonic work, different methods of colorful orchestrating were applied in the development of mugham melodies. Many Azerbaijani composers have appealed to his genre.
Niyazi had created Rast, S. Aleskerov Bayati-Shiraz, F. Amirov Gulistan Bayati-Shiraz, T. Bakikhanov Humayun, Nevada, Rahab, etc. symphony mugams.

Symphonic metal
Symphonic metal (Eng. Symphonic metal) is the musical style combing of metal and symphonic orchestra music genres. In music of this genre is reflected in women vocal, imitation of this genre in music vocals, chorus, symphonic music, instruments, or are used in imitation of the synthesizer. Sometimes, at the time of recording of this genre the live symphonic music is also used with assistance of orchestras. This genre has been created in Europe in the mid-1990-es. Creators of the genre such is considered as gothic-metal groups The Gathering and Theatre of Tragedy. They for the first time, used symphonic chorus and women vocal. This genre is also divided into several subgenre.
The school of composer was founded in the twentieth century, and one caused development. In this sense Azerbaijan State Symphony Orchestra named after U.Hajibeyov. The singing was always connected to each other, enabled the development of one of the other. In this sense Azerbaijan State Symphony Orchestra named after U.Hajibeyov is legal follower in modern performance art.

Azerbaijan State Symphony Orchestra named after U.Hajibeyov
Azerbaijan State Symphony Orchestra named after U.Hajibeyov in 1920, the founder of Azerbaijan professional music, was established on the initiative of V.Lenin. The orchestra conductors R. Baton (France), O. Clamberer (Germany), F. Stidri (Austria), N. Golovanov (Russia) took an active part in this case.
Being the 1st orchestra in former Soviet Union, which is one of the first professional musical culture, since its inception has played an important role in promoting of professional music culture. Symphony orchestra\'s repertoire consists of the Western European, Russian, and the works. Since 1938 renowned conductor Niyazi led the works of Orchestra. 1st large scale world famous symphonic work of Azerbaijani composers, got the life certificate under the conductor Niyazi in this orchestra.
During various years many famous conductors like N. Rakhin, A. Gauk, L. Ginzburq, A. Stasevich, K. Eliasberg, M. Rostropovich and other conductors, visited Baku worked with Orchestra. From Azerbaijani conductors A.Israfilzade, Ch Hajibeyov, A.Badalbeyli, K. Abdullaev, Y. Adigozalov and others was conducting this orchestra.
The role of present orchestra is great in high professional promotion of symphonic music of Azerbaijani composers.

]]> Classical music is called those works that already became the history, and tested of time. However, its audience is still preserved in modern society, kept, loved and heard.

Radio Sari Gelin

In terms of the notion of classical music in the history of music in the twentieth century it is a remarkable milestone. Namely during that period the composer\'s school was established in the country distinguished with the highest professionalism, the original musical style. Azerbaijan gets integrated into general system of professional musical culture of the world, Azerbaijani composers and performers raised till the world music level.
The founder of the professional classical music is considered great composer Uzeyir Hajibeyov.
At the end of the 30-es – early of 40-es the new generation of composers grows. The range of creative searches is expanding, new genres, new tendencies appeared. The leading European music trends like neoclassicism, dodecaphony, serial technique, used in resulting national basis and resulted in findings of interesting works of art. The most important thing is that the Azerbaijani music is already crossed borders of the country, gained fame at international level. Such a huge success in the first is related to the creative search of three great artists Gara Garayev (1918-1982), Fikrat Amirov (1922-1984) and Niyazi (1912-1984). They works were sounded in many countries of the world and recorded in disks and prizes were awarded. Niyazi that was awarded with Jawaharlal Nehru, Medal of Bela Bartok and a number of international prizes was one of great conductors of our time.
During 30-40-es in the music of Azerbaijan great classic music composers like Said Rustamov (1907-1983) and T. Guliyev (1917-2000) were appeared. S. Rustamov Alagez, For your sake, You did not come, Surayya, Sing, tar, etc., T. Guliyev was inspired from Azerbaijan\'s folk music traditions, as well as pop and jazz music of Europe It will not remain for your”, Golden Ring, I became happy, A song about Baku, Zubeyde, etc. songs are beautiful examples of classical music of Azerbaijan.
Symphonic music is music to be played by the symphonic orchestra.
Symphonic music includes multipart monumental compositions with deep, complex ideas and emotional content, as well as the small form of popular music, symphony, symphonic poem, overture, suite, concerts, cantatas, overtures, fantasia, etc. The service of Uzeyir Hajibeyov in development of symphonic music in Azerbaijan is great. He is the founder of the school of symphonic music. Prominent representatives of the Azerbaijani symphonic music like G. Garayev, J. Hajiyev, F. Amirov, Niyazi, S. Hajibeyov, A. Melikov, A. Rzayev and others graduates are from school students.

Symphonic Mugam
It is a genre of mugham. It was established in 1948 by composer Fikret Amirov. Based on the nature of the material and the composition of music written by F. Amirov mugams like Shur and Kurd-Ovsharı laid the foundation of the Azerbaijani symphonic works of this genre.
The main feature of the genre is that gradual growing development principle specific to mugham dastgah, its composition structure, the dramaturgic movement line was preserved and at the same time symphonic work, different methods of colorful orchestrating were applied in the development of mugham melodies. Many Azerbaijani composers have appealed to his genre.
Niyazi had created Rast, S. Aleskerov Bayati-Shiraz, F. Amirov Gulistan Bayati-Shiraz, T. Bakikhanov Humayun, Nevada, Rahab, etc. symphony mugams.

Symphonic metal
Symphonic metal (Eng. Symphonic metal) is the musical style combing of metal and symphonic orchestra music genres. In music of this genre is reflected in women vocal, imitation of this genre in music vocals, chorus, symphonic music, instruments, or are used in imitation of the synthesizer. Sometimes, at the time of recording of this genre the live symphonic music is also used with assistance of orchestras. This genre has been created in Europe in the mid-1990-es. Creators of the genre such is considered as gothic-metal groups The Gathering and Theatre of Tragedy. They for the first time, used symphonic chorus and women vocal. This genre is also divided into several subgenre.
The school of composer was founded in the twentieth century, and one caused development. In this sense Azerbaijan State Symphony Orchestra named after U.Hajibeyov. The singing was always connected to each other, enabled the development of one of the other. In this sense Azerbaijan State Symphony Orchestra named after U.Hajibeyov is legal follower in modern performance art.

Azerbaijan State Symphony Orchestra named after U.Hajibeyov
Azerbaijan State Symphony Orchestra named after U.Hajibeyov in 1920, the founder of Azerbaijan professional music, was established on the initiative of V.Lenin. The orchestra conductors R. Baton (France), O. Clamberer (Germany), F. Stidri (Austria), N. Golovanov (Russia) took an active part in this case.
Being the 1st orchestra in former Soviet Union, which is one of the first professional musical culture, since its inception has played an important role in promoting of professional music culture. Symphony orchestra\'s repertoire consists of the Western European, Russian, and the works. Since 1938 renowned conductor Niyazi led the works of Orchestra. 1st large scale world famous symphonic work of Azerbaijani composers, got the life certificate under the conductor Niyazi in this orchestra.
During various years many famous conductors like N. Rakhin, A. Gauk, L. Ginzburq, A. Stasevich, K. Eliasberg, M. Rostropovich and other conductors, visited Baku worked with Orchestra. From Azerbaijani conductors A.Israfilzade, Ch Hajibeyov, A.Badalbeyli, K. Abdullaev, Y. Adigozalov and others was conducting this orchestra.
The role of present orchestra is great in high professional promotion of symphonic music of Azerbaijani composers.

]]> ASHUG MUSIC https://radio-sarigelin.az/index.php?newsid=19 https://radio-sarigelin.az/index.php?newsid=19 _Emil_ Fri, 12 Jun 2020 00:38:19 +0400 ASHUG MUSIC]]> Radio Sari Gelin

Ozan - ashug art form began to form in Azerbaijan since ancient times.
Ashiq\'s art is a music form of oral art formed in folk environment and in terms of impact strength, popularity and uniqueness of maturity it is an expression having no analogue. This is a small performance, the music, saz and author-ashug make here unity.
Ashiq art includes songs praising of ancient epic legends, people, freedom, heroism, friendship, love songs. Ashiq art is synthetic, that is, ashig (minstrel) composes music, writes poetry, plays saz and dances simultaneously. And wind instruments ensemble and balaban often accompany ashiq. However, the main instrument of ashig is saz. Saz is ancient stringed musical instrument. The most common genre of ashiq art is the epic genre, that is epics, especially the heroic eposes. Vocal and instrumental parts in epics replace poems with parts of speech.
In lyrical genre of ashiq art praising ( tariflama), beatification (“gozallama) are specially famous. This gozallama can be devoted both to the lovely, beautiful woman and the hero, for example, brave Koroglu, its legendary Qırat. Part of the ashiq songs is full of sadness, (Yaniq Karami, Dilqami), and the other part can be like in Afsharı Sharili songs, which are wonderful examples of ashug lyrics.
In ashiq art ustadname genre is also interesting like advising songs.
The genres of the national poetry qoshma, mukhammas, ustadname, qıfılband, as well as its poetic forms like garayli, divani, qoshma, tajnis are favorite songs of ashug. These forms may be included in legends.
The most widely used poem rhyme in the ashuq creation is syllable. Structure of major ashuq songs is four (verse) form. Each and every couplet of verse has the beginning and each couplet is separated from each other with the instrumental solo.
In ancient times and Middle Ages ashuqs called as “ozan- minstrel, varsaq, dada.
The most ancient written sources on predecessors of modern Azerbaijani ashig – ozan, their ancient life, love, patriotism, the bravery is folk epos of the seventh century, Dede Korkut .
Historically, musical folklore had a big influence on the creativity of composers. For the first time features of ashug music were used in the opera of the composer U.Hajibayov’s Koroglu. Another composer Gara Garayev combining technical means of modern music with ashuq music could manage to create its combination in the second part of the third symphony.
Although ashuq art like set of arts combine few arts in self but the main place in this set is of traditional havajat (songs’ set). The traditional ashuq songs’ set rich with means of musical description and artistic summarizing is characterized by aesthetic constant value, polished language-style, deep philosophical means, and ethical orientation.
Expressiveness of oral folk poetry (fingers count syllable rhyme) and writing poetry (aruz) comprises the base of poetry of ashug havajat.
Like a part of havajat the classic ashiq poem carries out the task qaydaqoyuchuluq (normative).
Here the traditional classical ashuq melodies bayati, garayli, qoshma and tajnis based on poetic forms. There are more than 80 (Karami, Afsharı, Kurdu, Dilqami, Yaniq Karami) different area options of ashug melodies.
The mutual link of poetic text in ashiq melodies has an important influence on the formation of their melodic-rhythmic form features. The main rhyme of ashiq poetry is syllable rhyme. Structure of melodies is formed in connection with form and syllable structure of the poem, separation characteristics. Gurbani (16th century), Abbas Tufarqanlı, Sary Ashiq (17th century), Khasta Qasim, Ashiq Valeh, Ashiq Dilgam (18th century), Ashiq Ali, Ashiq Alasgar, Ashiq Hussain Shamkirli (19th century) and etc are considered as classics of ashiq art. Among ashiq of modern time Ashiq Hussein Bozalqanly, Ashiq Asad, Ashiq Mirza, Ashiq Islam, Ashiq Shamshir, Hussein Sarajly, Emrah Gulmammadov, Huseyn Javan, Ashiq Kamandar, Imran Hasanov, Mikail Azaflı, Akbar Jafarov and etc distinguish. Ashiq art is especially spread in Gazakh, Tovuz, Shamakhy regions, as well in settlements of historical Goycha and Borchali.

]]> Radio Sari Gelin

Ozan - ashug art form began to form in Azerbaijan since ancient times.
Ashiq\'s art is a music form of oral art formed in folk environment and in terms of impact strength, popularity and uniqueness of maturity it is an expression having no analogue. This is a small performance, the music, saz and author-ashug make here unity.
Ashiq art includes songs praising of ancient epic legends, people, freedom, heroism, friendship, love songs. Ashiq art is synthetic, that is, ashig (minstrel) composes music, writes poetry, plays saz and dances simultaneously. And wind instruments ensemble and balaban often accompany ashiq. However, the main instrument of ashig is saz. Saz is ancient stringed musical instrument. The most common genre of ashiq art is the epic genre, that is epics, especially the heroic eposes. Vocal and instrumental parts in epics replace poems with parts of speech.
In lyrical genre of ashiq art praising ( tariflama), beatification (“gozallama) are specially famous. This gozallama can be devoted both to the lovely, beautiful woman and the hero, for example, brave Koroglu, its legendary Qırat. Part of the ashiq songs is full of sadness, (Yaniq Karami, Dilqami), and the other part can be like in Afsharı Sharili songs, which are wonderful examples of ashug lyrics.
In ashiq art ustadname genre is also interesting like advising songs.
The genres of the national poetry qoshma, mukhammas, ustadname, qıfılband, as well as its poetic forms like garayli, divani, qoshma, tajnis are favorite songs of ashug. These forms may be included in legends.
The most widely used poem rhyme in the ashuq creation is syllable. Structure of major ashuq songs is four (verse) form. Each and every couplet of verse has the beginning and each couplet is separated from each other with the instrumental solo.
In ancient times and Middle Ages ashuqs called as “ozan- minstrel, varsaq, dada.
The most ancient written sources on predecessors of modern Azerbaijani ashig – ozan, their ancient life, love, patriotism, the bravery is folk epos of the seventh century, Dede Korkut .
Historically, musical folklore had a big influence on the creativity of composers. For the first time features of ashug music were used in the opera of the composer U.Hajibayov’s Koroglu. Another composer Gara Garayev combining technical means of modern music with ashuq music could manage to create its combination in the second part of the third symphony.
Although ashuq art like set of arts combine few arts in self but the main place in this set is of traditional havajat (songs’ set). The traditional ashuq songs’ set rich with means of musical description and artistic summarizing is characterized by aesthetic constant value, polished language-style, deep philosophical means, and ethical orientation.
Expressiveness of oral folk poetry (fingers count syllable rhyme) and writing poetry (aruz) comprises the base of poetry of ashug havajat.
Like a part of havajat the classic ashiq poem carries out the task qaydaqoyuchuluq (normative).
Here the traditional classical ashuq melodies bayati, garayli, qoshma and tajnis based on poetic forms. There are more than 80 (Karami, Afsharı, Kurdu, Dilqami, Yaniq Karami) different area options of ashug melodies.
The mutual link of poetic text in ashiq melodies has an important influence on the formation of their melodic-rhythmic form features. The main rhyme of ashiq poetry is syllable rhyme. Structure of melodies is formed in connection with form and syllable structure of the poem, separation characteristics. Gurbani (16th century), Abbas Tufarqanlı, Sary Ashiq (17th century), Khasta Qasim, Ashiq Valeh, Ashiq Dilgam (18th century), Ashiq Ali, Ashiq Alasgar, Ashiq Hussain Shamkirli (19th century) and etc are considered as classics of ashiq art. Among ashiq of modern time Ashiq Hussein Bozalqanly, Ashiq Asad, Ashiq Mirza, Ashiq Islam, Ashiq Shamshir, Hussein Sarajly, Emrah Gulmammadov, Huseyn Javan, Ashiq Kamandar, Imran Hasanov, Mikail Azaflı, Akbar Jafarov and etc distinguish. Ashiq art is especially spread in Gazakh, Tovuz, Shamakhy regions, as well in settlements of historical Goycha and Borchali.

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